1 - 20 of 24 Bookmarks by raphaello
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Пять лет спустя Занка всë так же нуждается в Энжине — или совершенно иначе.
(О том, нуждается ли Энжин в нём, Занка не думает). -
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Всё началось с того, что Занка предложил расстаться, а Энжин согласился.
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Фраза опускается мягко, почти небрежно, проскальзывает между одним вдохом и следующим, словно ключ, повернутый в замке, о существовании которого никто даже и не подозревал. Французский. Элегантный и в своей тихой манере – собственнический.
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Oikawa is nine when he first hears the word. The boys on the playground whisper it like it's dirty, like the way they daringly mutter the word fuck and then look over their shoulders to check their parents hadn't heard.
"You know Abe-kun from class?" they snicker, hands cupped around their mouths like they're passing along a filthy secret. "I hear his older brother is... gay."
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I Know When You're Around ('Cause I Know the Sound of Your Heart) by Verbrennung for yahabooty
Fandoms: Haikyuu!!
11 Sep 2017
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Sawamura Daichi, perfect son-in-law #1 and regular at the coffee shop Oikawa works at, decides one day to leave his full loyalty card (and it's subsequent free reward) behind the counter to help out a friend who is having a terrible day. They say kindness can change the world - Oikawa doesn't quite know about that, but Sawamura's single gesture might have just set him on the path to true love, because Iwaizumi Hajime is everything he wants, and maybe everything he needs.
It's not a smooth journey, though. There are bumps along the way - like terrible latte art, or Oikawa's distinct lack of chill. At least he has Daisho's snark to guide him along. Sort of.
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Бессмертный говорит на общеизвестном правиле, не произнося его вслух. Защищать, обладать, диктовать. Это режим, окутанный добротой, а доброта здесь имеет привкус контроля.
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There has always been an evil in himself. Oikawa needs to carve it out, bloody beating heart and all.
(After Oikawa ruins his career for the final time, he stands by the ocean and wonders if things will ever get better.)
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What is he worth, without his pretty face?
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Они оба с самого начала знали, что больше ни к кому не испытают такой печали. И такой любви, которая начинается с счастья у кромки моря, где волны похожи на пену шампанского.
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всё заканчивается хорошо, если они вместе. и серпантиновая линия дорог от сендая до токио совсем ничего не значит.
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Здравый смысл — хорошая штука. Но иногда он ничем не может помочь.
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ойкава не то что смысла не видит – он боится. он боится узнать что-то, что припаяет его к иваизуми, приклеит окончательно, осознанно и по-настоящему. и все это – за две ночи до расставания. до расстояния.
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Жизнь после смерти, и последующая тяга к катастрофе. Движение рук, и послушно повинующийся им оркестр, несущий за собой лишь хаос. Óни, разрушающие мир, и в последствии даже самих себя.
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В детстве Хаджиме прокляли — теперь он связан на всю жизнь магическими узами с принцем демонов, которые не дают приближаться другим людям близко к ним.
Вынужденные чувства, проверенные временем, постепенное сближение и политические интриги в условиях, когда каждый может убить тебя одним словом.Series
- Part 1 of Демоны, рыцари, повстанцы и литРПГ
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In which Oikawa Tooru casually controls the weather systems in Miyagi and Iwaizumi doesn't blink an eye.
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- Part 6 of ad astra
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It's the December after Iwaizumi’s last year in university when Tokyo welcomes him with a new ad campaign for Bright Days toothpaste, and Oikawa Tooru—fresh off a run at the 2016 Summer Olympics—has decided to grace the city with his signature grin, a flip of his wayfarer sunglasses, and the most irrepressible tag line for the signboard above.
‘Are you in love with me?’ it reads, Oikawa taunts, and Iwaizumi can only find the whole thing a pointless exercise in the usual flirtations.
(Because i would never fall for you in a million years, he types out in reply, before deciding against it.)
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It is the last day on earth, December 2nd, 1985, when you realize you're in love with him.
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- Part 4 of ad astra
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“I figured it out about a month before graduation.”
When Oikawa explains this, they are sitting together in a boat in the middle of Lake Pichola, India, hiding at the end of the fourteenth century with no one to bother them. Hajime sifts his hand through the water to cool his face while Oikawa pauses to collect himself, sights fixed on the royal blue of an emerging night sky. He holds two fingers up to the yellowed moon, pinches it into forced perspective, and palms it completely to force the light out of his eye. At the view, he smiles like he’s defeated all the knowing gods, the fates and their fickle futures, and humbles himself from the stratosphere.
“You know the story, Iwa-chan,” Oikawa tells him, back on earth. “Boy jumps to Miyagi in attempt to run away. It is raining, when he meets another, and they are both five years old. Neither of them can decide if he is from years past, or years to come. Hell, he could be a monster, for all they know.”
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- Part 1 of ad astra
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a peek into hajime’s and tooru’s relationship, from tender moments to shared understandings, told through a catalogue of words. alphabetised. non-linear.
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Post-high school, Oikawa makes it to the national volleyball team but Iwaizumi doesn't. The next three years become an exercise in growing up without growing apart.
Some days Hajime likes to think of himself as Oikawa’s counterpart—the two of them blending into a single devastating unit, the invincible setter and his unyielding ace, the bond between them unbreakable and true. Other days he feels like he is chasing after a rising sun, always running and running with his eyes fixed on the distance, trying to cross a chasm that stretches on without end, caught in an endless and exhausting pursuit.