satoritual
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Summary
Satoru Gojo was seven when he was forced into music, and twelve when he met a boy who helped him finally realise that it could be something other than punishment.
Suguru Geto converted the score of Satoru's life from minor to major, and for a time, made it sound like something close to peace. But historically, composers return to the key of D minor when they mean tragedy.
Even when tragedy struck, and Suguru stopped being his, Satoru could never separate him from the music. They broke apart, but never cleanly. Like an unfinished cadence, they kept circling back into each other’s orbits over the years, unable to ever cut each other out completely.
Nearly a decade after the “separation”, a job forces them back together when Kento Nanami falls ill and Suguru is the only one available to fill in. The music hasn’t forgotten them. The question is whether they have forgotten how to play in time with one another, or whether some pieces are just doomed to keep returning to the same unresolved cadence.